SkyStar96 pokies and games
What the catalogue holds, which studios are named around it, and the two numbers worth reading before you spin anything.
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The catalogue is described by the brand itself as «thousands of online pokies, classic table games, and live dealer action» (captured 16.09.2026). The studios named around the platform are Pragmatic Play, BGaming and Evolution Gaming. No full provider list and no game count are published by the operator, so none is printed here — what you can check yourself is inside each game: its return to player figure and its volatility.
A catalogue is worth judging by its studios, not by the size of its claim
- The brand describes its own catalogue as «thousands of online pokies, classic table games, and live dealer action» — its wording, captured 16.09.2026.
- Pragmatic Play, BGaming and Evolution Gaming are the studios named around the platform; the operator publishes no full provider list.
- This page prints no game count, because no count appears in the brand's own published material.
- Return to player and volatility are the two numbers that describe a pokie, and both are published by the studio inside the game itself.
What the catalogue holds
The brand's own description of itself is short: «thousands of online pokies, classic table games, and live dealer action». That is the wording in its own page description, captured in our snapshot of Australian results on 16.09.2026.
Broken down, that is three shelves. Pokies, which is where almost all the traffic goes. Table games — blackjack, roulette, baccarat — in their software form, played against a random number generator. And live dealer tables, which are a video stream of a real table with a betting layer on top.
There is no sportsbook. AFL, NRL, racing and same game multi belong to other operators and there is nothing here to say about them.
The studios named around the brand
Three studio names come up consistently around this platform: Pragmatic Play, BGaming and Evolution Gaming. They are the recognisable end of the supply chain — Pragmatic Play for high-volume pokies, BGaming for a lighter crypto-native catalogue, Evolution Gaming for live tables.
Why it matters: a named studio publishes its own page for each game, with the return and the mechanics printed on it (Pragmatic Play, read 16.09.2026), so the numbers can be checked away from the lobby. Software nobody can name leaves nothing to check.
What this page will not do is turn that into a verdict about the operator. The studios are evidence about the games. The cashier is a separate question, and it is answered on other pages here.
Why this page prints no game count
«Thousands» is an adjective doing the work of a number. The operator publishes no count, and there is no way to verify one from outside without counting a lobby that changes weekly.
Counts are also the easiest figure in this industry to inflate, because the same game in four denominations can be counted four times. A number nobody can audit tells a reader nothing.
So this page leaves the gap open and says why. That is the rule across this site: a figure with a source and a date, or no figure.
RTP and volatility: the two numbers worth reading
Return to player is the share of all staked money a game gives back across an enormous number of rounds. Studios publish it per title: Pragmatic Play states 96.48% for Sweet Bonanza and 96.50% for Gates of Olympus on its own game pages (read 16.09.2026). The figure describes the machine in the long run and says nothing about any particular session, which is the part marketing tends to blur.
Volatility describes the shape of the ride rather than its destination. Low volatility means frequent small returns; high volatility means long dry stretches punctuated by rare large ones. Two games with identical return figures can feel like entirely different products.
Both numbers are published by the studio inside the game's own information panel, which is the one place neither the casino nor this page can edit. Open it before you decide anything.
Pub pokies and screen pokies are different worlds
Australia has roughly 197,000 poker machines in pubs and clubs — close to a fifth of the world's total, absent only from Western Australia, where they are confined to the casino. They are physical devices, licensed state by state, with return rates set by state rules and inspected locally.
A pokie on a screen from an offshore lobby shares the vocabulary and almost nothing else. Different regulator, or none; different return rate, set by the studio; different recourse if something goes wrong.
Worth keeping straight, because the familiarity of the word is exactly what makes the second thing feel like the first.
Studio numbers you can check before you spin
A studio, not a lobby, sets a pokie's mathematics and publishes it. Pragmatic Play's own page for Sweet Bonanza states an RTP of 96.48%: wins come from 8-12+ matching symbols anywhere on tumbling reels, the base game pays up to 50 times the stake, multiplier symbols worth between 2 and 100 times the stake land during the feature, and 4-6 scatters award up to 100 times the stake plus 10 free spins (Pragmatic Play, Sweet Bonanza, read 16.09.2026).
The same pattern holds for Gates of Olympus: an RTP of 96.50%, six tumbling reels, 8-30 matching symbols paying up to 50 times the stake, random multiplier symbols worth up to 500 that are added into one running total, and 4+ scatters opening 15 free spins. Two games from one studio, two sets of numbers, both public before a single spin (Pragmatic Play, Gates of Olympus, read 16.09.2026).
BGaming, founded in 2018, built its name on publishing the receipt as well as the number: its provably fair games hash the round result with a secret string using SHA-256 and let the player set the client seed before the bet. Its catalogue runs past 250 titles, of which more than 50 are published above 97% RTP (BGaming, provably fair, read 16.09.2026).
Evolution's side of a lobby is live rather than RNG. Crazy Time, launched in July 2020, carries a published RTP of 96.08%, four bonus rounds — Cash Hunt, Pachinko, Coin Flip and Crazy Time — and a ceiling of 20,000 times the stake inside the Crazy Time bonus; the largest win the maker records on it, 25,000 times the stake, was struck in Cash Hunt on 11 December 2022 (Evolution, Crazy Time, read 16.09.2026).
The floor under a pub machine against the number on a studio page
Australian venue pokies answer to state rules with a legislated floor, and the floor sits below the studio numbers above. In Western Australia the Gaming and Wagering Commission's policy requires that all games be certified to return at least 90% to players; the policy was first published on 10 June 2019 and last amended on 2 August 2019 (Gaming and Wagering Commission of WA, read 16.09.2026).
Two numbers that look similar are not. Between 90% and 96.48% there are 6.48 percentage points, and across A$1,000 of turnover that gap is A$64.80 of expected difference — the same money, a very different rate of loss. Neither figure predicts an evening; both describe where a machine settles over millions of rounds (WA floor 90% and Sweet Bonanza 96.48%, read 16.09.2026).
Volatility is the number nobody publishes as cleanly. Two games at the same 96% RTP can behave nothing alike: one pays small wins constantly, the other holds everything back for a feature that arrives once in several hundred spins. RTP tells you the long-run share; volatility tells you how roughly the ride gets there, and it is the one that decides how a A$50 session feels.